JULY brought the noise of political campaigning to the streets of Japan, culminating with the upper house elections on July 21. Thanks to the popularity of Abenomics, the coalition of the Liberal Democratic Party and Komeito regained the majority it had lost in 2007.
Some worry that this might persuade Prime Minister Shinzo Abe to return to his dream of removing Japan’s pacifism from the country’s constitution. But in spite of the landslide, his party doesn’t have enough seats to do this on its own and coalition partner Komeito is strongly opposed.
So for the time being, Abe likely will remain focused on the economy. His newly acquired power, however, should give him enough freedom to push through unpopular but badly needed reforms.
Olympics
With the important upper house elections out of the way, Japanese eyes are now fixed on the next elections: those for choosing the city to host the 2020 Summer Olympics. Tokyo is one of the three finalists and its chances look favorable. The International Olympic Committee will elect the host city on September 7 at the 125th IOC Session in Buenos Aires, Argentina. To warm up, we look at Tokyo’s Olympic bid and the surprising link between the Olympics and Harajuku, Tokyo’s irreverent center of youth culture.
Festivals
Summer in Japan, of course, means matsuri, or street festivals. Religious in origin, many are now spectacles that unite the community and attract lots of tourists. In this issue, acclaimed Japanese fashion designer Junko Koshino shares how the powerful festival of her hometown influenced her work. This inspired our cover photo of the gorgeous kimono she designed. In the same vein, I invited a number of Tokyo street fashion icons to show me looks inspired by summer and matsuri. They brought me an explosion of creativity and color, with many incorporating traditional Japanese elements in very modern ways.
A RECORD-BREAKING 61,000 anime and manga lovers from around the world attended the 22nd Anime Expo from July 4 to 7, 2013 at the Los Angeles Convention Center. Highlights included a packed concert at Club Nokia with legendary Japanese rock band Porno Graffitti, “Attack on Titan” producer George Wada and Production I.G founder Mitsuhisa Ishikawa. In addition to cosplayers posing for photographers in the lobby, the event introduced its first Cosplay Participation Area where participants could pose in front of cosplay photo sets such as a classroom scene, sakura grove and spaceship interior. The convention also played host to the North American premieres of “Ghost in the Shell: Arise,” “Kick-Heart,” “Garden of Words” and “Star Blazers 2199.” The event was organized by the Society for the Promotion of Japanese Animation. Anime Expo 2014 will be held July 3-6, 2014.
Since 1987, Production I.G has been involved in the production of anime television series, original video animation, theatrical films, video game animated scenes, video game design and development, and music publishing and management. It is perhaps best known for its “Ghost in the Shell” series. Tokyo Journal sat down with founder Mitsuhisa Ishikawa, who put the “I” in Production I.G, prior to his press conference at the 2013 Anime Expo in Los Angeles.
Q: It’s great to see you again. It’s been a long time! Can you tell us how you got started in your career?
ISHIKAWA: When I was a student, I started out with a part-time job in the anime world at Tatsunoko Production. I didn’t expect to get into it at all. I just kind of got lost into it and found myself here. I was working on a program called “Golden Warrior Gold Lightan,” where a lighter turns into a robot.
TVXQ!, known as the “Kings of K-Pop!” and holders of the Guinness Record for Most Photographed Celebrities in the world, performed at the Nokia Theater in Los Angeles on July 5, 2013. Although the successful Asian band had performed with the 2012 SMTown concert in Anaheim, California with several of SMTown’s top Korean Pop (K-Pop) acts, this was the first time TVXQ! headlined in the U.S. The band is on its “Catch Me” world tour, which began in Seoul in November 2012, went to Hong Kong, Beijing, Kuala Lumpur and Japan. Following L.A., the tour continues to Santiago, Chile and Shanghai, China.
WHO said being environmentally friendly can’t be sleek and sexy? The Karma consumes no gasoline for the first 50 miles, the interior trim is environmentally responsible and its aluminum skin is finished off with a solar-cell roof. A 260-hp, four-cylinder engine combined with a 20-kWh lithium-ion battery pack and twin AC motors deliver 402 horsepower to the differential. The gasoline engine powers only the generator and the Karma is always electrically driven at the rear wheel. The Karma goes from 0 to 60 mph in 7.9 seconds, or in 5.9 seconds when the gas engine kicks in.
On September 18th, 2013, dancer Kenichi Ebina became the first Japanese performer to win NBC's hit TV show America's Got Talent! He won $1,000,000 and will get his own show in Las Vegas. The following is an excerpt of Tokyo Journal Executive Editor Anthony Al-Jamie's exclusive Interview with Kenichi. For the full-length interview see Tokyo Journal's Autumn Issue.
TJ: When did you first start to dance?
EBINA: I was attending an English Language Institute for international students who don't speak English. It was connected to the college I graduated from and since it was on a college campus, students in the English school were invited to college activities. I went to a dance party for welcoming freshman. At the time I wasn't big into dancing at all but I knew the steps for the "Running Man" that I had learned from some friends. At the party they made a circle and people started showing off. I had to go in and I did the Running Man. People started getting loud. At the time I thought they were loud because I wasn't good, but it was the opposite - they were cheering for me! After that, I started thinking dancing was fun. I started watching videos and copied their moves and steps.
IN 1970 I was hired to photograph a young piano player from England who was going to open a show at the New York City’s Fillmore East theatre for Leon Russell. His name was Elton John. I remember thinking how hard it is to get an interesting picture of someone playing piano. It’s a very large instrument and the player is usually just sitting behind it. But Elton John is not the usual piano player. He is one of the most exciting performers I’ve worked with. He doesn’t just sit at his piano. He jumps around it and on top of it. Sometimes he leaps straight into the air with only his hands on the keyboard. And he’s still playing! He also wears onstage the most flamboyant and colorful costumes and outrageous glasses.
I enjoyed working with Elton for the next several years. At the Fillmore in the spring of 1971 I got a nice and arty double-frame photo of him with his songwriting partner Bernie Taupin. Then I photographed him twice at Carnegie Hall, and later at Madison Square Garden. At Carnegie Hall, his mother made a surprise backstage visit.
TEMPURA is fried vegetables and fish battered with flour and eggs. The typical ingredients of tempura are the white fish called kisu, shrimp, sweet potato, renkon (Japanese lotus root) and other vegetables. There are two main streams of tempura depending on the area in Japan. Fish tempura was developed in the Kanto region of Eastern Japan by using fresh fish caught in Tokyo Bay, while vegetable tempura was developed around the southern-central region of Kansai and cities like Kyoto. As you may expect, Kanto and Kansai have different ways to cook tempura. For example, Kanto people fry the batter in the sesame oil. The batter includes eggs and is fried to a brown color. They use sesame oil to remove the odor of the fish. When they eat tempura, they use tentsuyu, a salty and sweet Japaense sauce made from soy sauce, sake and soup stock. Kansai people fry the batter in sunflower oil. The batter doesn’t contain eggs and is fried to a white color. Because they are used to eating vegetable tempura, they don’t use tsuyu sauce. They only add salt to take advantage of the natural flavor of the vegetables themselves. Tempura both fish and vegetable – is one of the most popular Japanese foods in Japan and around the world. Where did the name tempura come from? There are various views. But tempura most likely stems from “tempero,” a Portuguese word for seasoning or cooking.
TJ: Can you tell us what you did before you became involved with Mutual Trading?
KANAI: World War II was a very big shock to me. So after the war I read about philosophy. I was very interested in Robert Owen, a famous English philosopher. I took his philosophy, which taught me many good things, and decided to make my own life to improve myself.
During the war, the U.S. was Japan’s enemy but during the Occupation they did very good things to help build Japan back up. We could not imagine that the U.S. would do so many good things for us. At that time, I met Mr. Chuhei Ishii, who was a food supplier to the U.S. before the war. He had been in the U.S. for 30 years in Santa Maria doing food distribution, but he went to China during the war to take care of the Peking Grand Hotel – a large, famous hotel owned by the French. Mr. Ishii bought the hotel and moved to Peking. At the end of the war, I met him in Japan. As his wife and my mother were friends in Japan, my mother told me, “If you do business with the United States, go see Mr. Ishii and ask him questions.” So I visited Mr. Ishii. Although he wanted to return to the States, he lost his U.S. permanent residency when he went to China. He said to me, “I am thinking of making a business exporting food to the United States because there are many Japanese immigrants who cannot get Japanese food conveniently. Why don’t you help me?” So I joined him.
“ Shogun really launched Japanese culture in the U.S.”
TJ: How did you first get into dancing? What styles of dance have you trained to do?
ONUKI: My mother is a dancer and runs a dance studio, so I naturally started to learn dancing. I started with jazz and modern dance. But when I was a primary school student, I saw “Rave2001,” a TV dance program, and got interested in street dancing. I began taking dance lessons and was into street dancing in junior high and high school. And gradually I started to be interested in contemporary dance and ballet.