The following is part of Tokyo Journal’s Living Tribute to Donald Richie who passed away on February 19, 2013. Donald Richie’s contribution was originally printed in the January 1995 edition of the Tokyo Journal. It was excerpted from Japan Journals 1947-2004 by Donald Richie (Stone Bridge Press. 2004). Donald Richie’s first visit to Japan took place in 1947. Since that time he became a celebrated film critic, author and composer, not to mention a journalist of many talents recording the changes of over half a century of life in Tokyo. Donald Richie contributed to the Tokyo Journal over the years and when asked about times in the ‘90s, Donald replied, “Frightening but exhilarating. I think everybody with a pencil should be out there taking notes.”
When I first started to become feverishly interested in Japan, I never dreamed I would eventually play at the legendary Budokan. Well, that’s not entirely true. It was within the realm of possibility. I was a rock musician, and so if I reached my musical goals I could wind up at the Budokan, somehow. When I eventually played there, I felt like all the struggles of being a musician had paid off big time.
The following is part of Tokyo Journal’s Living Tribute to Donald Richie who passed away on February 19, 2013. Donald Richie’s contribution was originally printed in the January 1995 edition of the Tokyo Journal. It was excerpted from Japan Journals 1947-2004 by Donald Richie (Stone Bridge Press. 2004). Donald Richie’s first visit to Japan took place in 1947. Since that time he became a celebrated film critic, author and composer, not to mention a journalist of many talents recording the changes of over half a century of life in Tokyo. Donald Richie contributed to the Tokyo Journal over the years and when asked about times in the ‘90s, Donald replied, “Frightening but exhilarating. I think everybody with a pencil should be out there taking notes.”