How I Speak is Who I Am

EVERY now and then, I have a conversation that goes something like this:

New Acquaintance: So, where are you from?
Me: Australia.
New Acquaintance: And How long have you lived in Hong Kong?
Me: Around 20 years.
New Acquaintance: Wow! And you haven't lost your Australian accent.

I'm never quite sure how to respond.

Fashion Design by Junko Koshino

Tokyo's Fashion Queen and Tony Award-nominee Junko Koshino, renowned for her cutting edge clothes, costume and uniform designs, shares the latest in Tokyo's fashion scene.

IT was five years ago that I saw the Ryukyu Kaiensai Fireworks Festival, which celebrated its 11th anniversary in 2014. I was visiting Okinawa and heard that there was a fireworks festival at Gino Bay, Futenma. That was the beginning.

At the time, I wondered, “How wonderful would it be if fireworks came together opera?”

Through the Eyes of Yankelovich

A Debate with Large Consequences

In industrialized nations we are in the early stages of one of the most important debates in our lifetime:
• Is growing income inequality inevitable or susceptible to change?
• If it is inevitable, what should we do to reduce its harmful effects?
• If it is susceptible to change, what actions should we take to restore greater fairness to our economies? Starting in the 1970s, and accelerating after the Great Recession of 2007-8, income of those at the top of the scale grew enormously, while wages for the middle and bottom parts of the scale stagnated.

It wasn’t until the gifted French economist Thomas Piketty published his masterful book, “Capital in the Twenty-First Century” that a serious and thoughtful debate about inequality trends began in earnest. The book has caught the attention of the industrialized nations for several reasons.

On Tour with Bob Gruen

Elton John Retrospective

IN 1970 I was hired to photograph a young piano player from England who was going to open a show at the New York City’s Fillmore East theatre for Leon Russell. His name was Elton John. I remember thinking how hard it is to get an interesting picture of someone playing piano. It’s a very large instrument and the player is usually just sitting behind it. But Elton John is not the usual piano player. He is one of the most exciting performers I’ve worked with. He doesn’t just sit at his piano. He jumps around it and on top of it. Sometimes he leaps straight into the air with only his hands on the keyboard. And he’s still playing! He also wears onstage the most flamboyant and colorful costumes and outrageous glasses.

I enjoyed working with Elton for the next several years. At the Fillmore in the spring of 1971 I got a nice and arty double-frame photo of him with his songwriting partner Bernie Taupin. Then I photographed him twice at Carnegie Hall, and later at Madison Square Garden. At Carnegie Hall, his mother made a surprise backstage visit.