On October 16, 2013, Francis Ford Coppola, one of the most influential movie directors, producers and screenwriters of all time, was awarded the Praemium Imperiale in Tokyo, Japan. The Praemium Imperiale is an annual global arts prize awarded by the Japan Art Association in recognition of a lifetime achievement in the arts, in categories not covered by the Nobel Prizes. This award, which Mr. Coppola received from Prince Hitachi of Japan’s Imperial Family, is the most recent of many accolades for the filmmaker. He and his films have received six Academy Awards and the Coppola family is one of two families in history to have three generations of Academy Award recipients. Four of his films (“The Godfather,” “The Godfather Part II,” “Apocalypse Now” and “Patton”) were included by the Writers Guild of America’s list of “101 Greatest Screenplays Ever.” He has been honored with the Directors Guild of America’s Lifetime Achievement Award, and he is one of only eight filmmakers to win two Palme d’Or awards at the Cannes Film Festival. Prior to leaving for Japan, Tokyo Journal’s Executive Editor Anthony Al-Jamie interviewed Mr. Coppola regarding his love for film and his affinity for Japan.

TJ: I understand you will be receiving the Praemium Imperiale from Prince Hitachi of
the Imperial Family. Can you tell us about the award?
COPPOLA: It was an award I hadn’t known of, but it’s an award that was given in honor of the arts in fields that the Nobel Prize does not cover such as film, theater, literature, architecture, and sculpture.

TJ: Tell me about your background in Japan. When was your f irst visit to Japan?
COPPOLA: It’s hard for me to really pin down my first visit to Japan. I’ve been there a dozen times. I did visit Japan many times during the period in which I was making “Apocalypse Now.” While we were filming in the Philippines, we would often stop in Japan as my family loved going there, and over the years I went many, many times. My little children travelled with me at the time and they also love Japanese culture. That was the basis of Sofia’s fondness for Japan and her experience there.

TJ: What is your favorite part of Japan?
COPPOLA: In terms of a place, there are certainly Tokyo and Kyoto. But I think my favorite part of Japan is its unique and beautiful culture where they are able to combine the mundane steps of life with beauty, and each area of life has been understood as a kind of expression of grace, harmony and beauty. The culture is so unique in that everything that is done there has been a tradition of doing it with exquisite beauty. It is that very unique aspect of Japan that is so admirable. Whether it’s a piece of fabric, poem or food, there exists some sort of perfection in every area.

フランシス・フォード・コッポラ

2013 年 10 月 16 日、東京で、高松宮殿下記念世界文化賞の授賞式が行われた。演劇・映画部門では、映画監督、 プ ロ デュー サ ー 、 脚 本 家 として 歴 史 上 最 も 影 響 力 を 持 つ 巨 匠 の1人で あ るフ ラン シ ス・フォ ード・コッ ポ ラ 氏 が 受 賞 。 日 本 美 術 協 会 が 創 設 し た 同 賞 は 、 優 れ た 芸 術 家 を 顕 彰 す る た め に 年 1回 授 与 さ れ るも の で 、 ノ ー ベ ル 賞 が 対 象 とし な い領域をカバーしている。常陸宮殿下から授与されたこの賞が、コッポラ氏の受賞歴に新たに加わった。氏はこれま でに6つのアカデミー賞を受賞している。3世代にわたってアカデミー賞を受賞したのはコッポラ一族を含め2例だけ。 氏の作品「ゴッドファーザー」「ゴッドファーザーPart II」「地獄の黙示録」「パットン大戦車軍団」は、全米脚本家 協会が選ぶ映画脚本ベスト101 にランクイン。また全米監督協会のライフタイム・アチーブメント・アワード、カンヌ 国際映画祭パルム・ドールも受賞している。パルム・ドールの栄誉を2回手にしたのはコッポラ氏を含め8人だけ。東 京ジャーナルのエグゼクティブ・エディター アントニー・アルジェイミーが、日本に発つ前のコッポラ氏に、映画に対 する情熱と日本との縁について聞いた。

インタビュー:アントニー・アルジェイミー

TJ: 高松宮殿下記念世界文化賞を受賞され、常 陸宮殿下から顕彰メダルを授与されるそうです ね。
コッポラ:僕は知らなかったが、ノーベル賞が カバーしていない映像、演劇、建築、彫刻など の分野の芸術家を対象とした顕彰制度だそう だ。

TJ: 日本との関わりについて教えてください。 最初に日本を訪れたのはいつですか?
コッ ポラ:最初に行ったのがいつだったかは 分からないが、日本にはもう数え切れないほ ど行っているよ。「地獄の黙示録」の製作中も、 撮影場所はフィリピンだったが、途中でよく日 本に立ち寄ったんだ。家族が行きたがったから ね。子供が小さい頃は一緒に旅行したから、子 供たちも日本の文化が大好きだ。ソフィアが親 日家なのは、小さい頃の経験ゆえだろうね。

TJ: 日本の何が一番お好きですか?
コッ ポラ:場所で言えば東京と京都だが、何と いっても、平凡な日常と美を融合できる独特の 美しい文化に魅力を感じるね。生活そのものに、 気品、調和、美が感じられる文化なんだ。日本 の文化は全てにおいて個性的で、非常に美しい 伝統様式がある。それは日本の特徴であり、賞 賛されるべき点だ。繊維であれ詩であれ食べ物 であれ、あらゆる領域に“完璧”が存在する

TOKYO’S weather was getting cooler when this issue went to press, but political discourse was heating up as Prime Minister Abe tried to pass a new state secrecy law. Opponents were alarmed. The bill would severely weaken Japan’s democracy and limit freedom of the press, they said. On November 20, a group of independent journalists presented a petition to the government. It included Soichiro Tahara, the country’s best-known political commentator. This shows the high level of unease as Japanese journalists rarely deliver petitions.

Renewed Hope
Before the law’s deliberations dampened people’s spirits, Japan received some much needed hope. Tokyo was selected to host the 2020 Summer Olympics this September. Some commentators cried on live TV. Soon after, as if on cue, a rainbow appeared over Tokyo.

Hot Talent
The highlight is our 12-page feature Interview with Visual Kei pioneer, rock legend and classical genius Yoshiki. The X Japan founder shared his struggles and successes from his state-of-the-art Hollywood recording studio. Tokyo Journal Executive Editor Anthony Al-Jamie’s questions dig deep and cover an amazing range of topics.

The complete article is available in Issue #273. Click here to order from Amazon

JULY brought the noise of political campaigning to the streets of Japan, culminating with the upper house elections on July 21. Thanks to the popularity of Abenomics, the coalition of the Liberal Democratic Party and Komeito regained the majority it had lost in 2007.

Some worry that this might persuade Prime Minister Shinzo Abe to return to his dream of removing Japan’s pacifism from the country’s constitution. But in spite of the landslide, his party doesn’t have enough seats to do this on its own and coalition partner Komeito is strongly opposed.

So for the time being, Abe likely will remain focused on the economy. His newly acquired power, however, should give him enough freedom to push through unpopular but badly needed reforms.

Olympics
With the important upper house elections out of the way, Japanese eyes are now fixed on the next elections: those for choosing the city to host the 2020 Summer Olympics. Tokyo is one of the three finalists and its chances look favorable. The International Olympic Committee will elect the host city on September 7 at the 125th IOC Session in Buenos Aires, Argentina. To warm up, we look at Tokyo’s Olympic bid and the surprising link between the Olympics and Harajuku, Tokyo’s irreverent center of youth culture.

Festivals
Summer in Japan, of course, means matsuri, or street festivals. Religious in origin, many are now spectacles that unite the community and attract lots of tourists. In this issue, acclaimed Japanese fashion designer Junko Koshino shares how the powerful festival of her hometown influenced her work. This inspired our cover photo of the gorgeous kimono she designed. In the same vein, I invited a number of Tokyo street fashion icons to show me looks inspired by summer and matsuri. They brought me an explosion of creativity and color, with many incorporating traditional Japanese elements in very modern ways.

Anime Expo 2013

By Tokyo Journal Interns Hana Kobayashi, Chisato Kato and Luning Zhang

A RECORD-BREAKING 61,000 anime and manga lovers from around the world attended the 22nd Anime Expo from July 4 to 7, 2013 at the Los Angeles Convention Center. Highlights included a packed concert at Club Nokia with legendary Japanese rock band Porno Graffitti, “Attack on Titan” producer George Wada and Production I.G founder Mitsuhisa Ishikawa. In addition to cosplayers posing for photographers in the lobby, the event introduced its first Cosplay Participation Area where participants could pose in front of cosplay photo sets such as a classroom scene, sakura grove and spaceship interior. The convention also played host to the North American premieres of “Ghost in the Shell: Arise,” “Kick-Heart,” “Garden of Words” and “Star Blazers 2199.” The event was organized by the Society for the Promotion of Japanese Animation. Anime Expo 2014 will be held July 3-6, 2014. 

Since 1987, Production I.G has been involved in the production of anime television series, original video animation, theatrical films, video game animated scenes, video game design and development, and music publishing and management. It is perhaps best known for its “Ghost in the Shell” series. Tokyo Journal sat down with founder Mitsuhisa Ishikawa, who put the “I” in Production I.G, prior to his press conference at the 2013 Anime Expo in Los Angeles.

Q: It’s great to see you again. It’s been a long time! Can you tell us how you got started in your career?
ISHIKAWA: When I was a student, I started out with a part-time job in the anime world at Tatsunoko Production. I didn’t expect to get into it at all. I just kind of got lost into it and found myself here. I was working on a program called “Golden Warrior Gold Lightan,” where a lighter turns into a robot.

TVXQ! Wow with First Headlining Concert in L.A.

TVXQ!, known as the “Kings of K-Pop!” and holders of the Guinness Record for Most Photographed Celebrities in the world, performed at the Nokia Theater in Los Angeles on July 5, 2013. Although the successful Asian band had performed with the 2012 SMTown concert in Anaheim, California with several of SMTown’s top Korean Pop (K-Pop) acts, this was the first time TVXQ! headlined in the U.S. The band is on its “Catch Me” world tour, which began in Seoul in November 2012, went to Hong Kong, Beijing, Kuala Lumpur and Japan. Following L.A., the tour continues to Santiago, Chile and Shanghai, China.

Sexy + Sustainability

WHO said being environmentally friendly can’t be sleek and sexy? The Karma consumes no gasoline for the first 50 miles, the interior trim is environmentally responsible and its aluminum skin is finished off with a solar-cell roof. A 260-hp, four-cylinder engine combined with a 20-kWh lithium-ion battery pack and twin AC motors deliver 402 horsepower to the differential. The gasoline engine powers only the generator and the Karma is always electrically driven at the rear wheel. The Karma goes from 0 to 60 mph in 7.9 seconds, or in 5.9 seconds when the gas engine kicks in.

2013 America's Got Talent Winner: Kenichi Ebina Sneak Preview

On September 18th, 2013, dancer Kenichi Ebina became the first Japanese performer to win NBC's hit TV show America's Got Talent! He won $1,000,000 and will get his own show in Las Vegas. The following is an excerpt of Tokyo Journal Executive Editor Anthony Al-Jamie's exclusive Interview with Kenichi. For the full-length interview see Tokyo Journal's Autumn Issue.

TJ: When did you first start to dance?
EBINA: I was attending an English Language Institute for international students who don't speak English. It was connected to the college I graduated from and since it was on a college campus, students in the English school were invited to college activities. I went to a dance party for welcoming freshman. At the time I wasn't big into dancing at all but I knew the steps for the "Running Man" that I had learned from some friends. At the party they made a circle and people started showing off. I had to go in and I did the Running Man. People started getting loud. At the time I thought they were loud because I wasn't good, but it was the opposite - they were cheering for me! After that, I started thinking dancing was fun. I started watching videos and copied their moves and steps.

On Tour with Bob Gruen

Elton John Retrospective

IN 1970 I was hired to photograph a young piano player from England who was going to open a show at the New York City’s Fillmore East theatre for Leon Russell. His name was Elton John. I remember thinking how hard it is to get an interesting picture of someone playing piano. It’s a very large instrument and the player is usually just sitting behind it. But Elton John is not the usual piano player. He is one of the most exciting performers I’ve worked with. He doesn’t just sit at his piano. He jumps around it and on top of it. Sometimes he leaps straight into the air with only his hands on the keyboard. And he’s still playing! He also wears onstage the most flamboyant and colorful costumes and outrageous glasses.

I enjoyed working with Elton for the next several years. At the Fillmore in the spring of 1971 I got a nice and arty double-frame photo of him with his songwriting partner Bernie Taupin. Then I photographed him twice at Carnegie Hall, and later at Madison Square Garden. At Carnegie Hall, his mother made a surprise backstage visit.