Architect Toyo Ito Presented with the 2013 Pritzker

Architecture Prize

ON May 29, 2013, Tom Pritzker, chairman of The Hyatt Foundation, presented Toyo Ito with the Pritzker Architecture Prize medallion for 2013 and a $100,000 grant. In his acceptance speech, Architect Toyo Ito said, “This is the best day of my architectural life so far!” Mr. Ito was the 38th recipient of the Pritzker Architecture Prize, which has been sponsored by The Hyatt Foundation since its founding in 1979. A black-tie audience of more than 300 guests, including previous prize laureates, witnessed the ceremony in the John F. Kennedy Presidential Library and Museum in Boston, Massachusetts. tj

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The Open Road Part II

The following is a continuation of Robert Garrity’s story describing his walk across Japan replicating Haiku Poet Matsuo Basho’s 2,500 kilometer journey from Fukugawa, Tokyo to Japan’s northern wilderness, as detailed in Basho’s world-famous “Oku no Hosomichi”. Robert Garrity began this journey in Summer of 1994, and broke it down into segments, walking the different segments each time he returned to Japan.

Basho Memorial Hall:
On the other side of the Sumidagawa bridge and down the street several blocks on the river- side is the Basho Memorial Hall, on the site of Basho’s original home. There is a banana tree in front that marks the hall.

The Tokyo Fish Market

If you ask anybody in Tokyo about the city’s Nihonbashi district, they’ll most probably call it a staid business area. The Bank of Japan and the Tokyo Stock Exchange are located there, so too the headquarters of many financial companies. Even the Mitsukoshi and Takashimaya department stores there are thought conservative.

This hasn’t always been the case. Until 1923, Nihonbashi housed a colorful and busy fish market right next to the famous Nihonbashi bridge, the point from which even today all distances to the capital are measured. For hundreds of years at the empire’s navel, the smell of fish and the shouts of fishermen, brokers and peddlers penetrated the air. Some 300 fish wholesalers were located at the market. From fishing villages as far away as Hokkaido, fish arrived early in the morning every day of the year. “Piscine types almost as varied and as beautiful as those at the marvelous Naples Aquarium may be seen,” gushed Terry’s Guide to the Japanese Empire in its 1920 edition.

How a studio trained director quit the system to go independent and become one of the most influential filmmakers in Japanese history.

NAGISA Oshima, one of Japan’s most influential and controversial film directors, died January 15 in a hospital near Tokyo at the age of 80. Several years prior I attended a few screenings of his work at a Los Angeles County Museum of Art’s retrospective, the first showing of his films in North America in over two decades. It was during the “In the Realm of Oshima” retrospective that I discovered the genius of Ôshima, a genius to be honored with his passing.

Moments in Construction

by H. Suzuki

TJ: What makes a good picture stand out from an average photo?
Suzuki: A good picture moves viewers. Good pictures extract the intention of objects and invoke the feelings of viewers. In other words, a dialogue between objects and viewers is enabled.

TJ: Location and weather conditions seem to be crucial aspects to a successful picture. How do you handle these unpredictable factors?
Suzuki: I can’t control them, so it can’t be helped. But I think I am lucky in terms of unpredictable factors. For four years, I had a lot of luck. For example, I took a picture of 2,000 people gathered at a morning meeting in a construction area. Although such meetings were planned to be held regularly after that, they didn’t happen again. I need to rely on luck and instinct.

TJ: 優れた写真と普通の写真を隔てるものは何 でしょうか。
スズキ: 迫ってくるものがあるかないかの違い ですね。被写体の意図を引き出し、見る人の共 感を呼ぶ。つまり被写体と見る人の対話を可能 にするのが優れた写真でしょう。

TJ: ロケ―ションや天候は写真の成否に重要な 影響を与えると思われますが、こうした予測不 可能な要因にどのように対応なさっています か?
スズキ: これはどうしようもないことです。で も、この4年間の経験を考えると、僕はツイて いたと思います。たとえば、ある工事現場で 2000 人が集まった朝礼の写真を撮りました。 その後もこの朝礼は定期的に開かれるはずでし たが、結局 2000 人もの人が集まることは二度 とありませんでした。運と直感は大事だと思い ます。

JAPANESE Prime Minister Shinzo Abe is pursuing an economic policy called the “three arrows” with the aim of boosting the economy and lifting the country out of long-lasting deflation.

The arrows include:

1. Unlimited monetary easing to achieve 2% annual inflation
2. Ramping up public spending
3. Pursing a long-term economic growth strategy

The first arrows helped boost the stock market about 40% as well as devalue the yen 20% against the U.S. dollar. But since Japan’s underlying economy has changed little, stocks and the currency have been fluctuating widely due to the uncertainty of the third arrow, the growth strategy.

Educating the World about the Deadly Danger of Food Allergies

Interview with Food Allergy Research & Education CEO John Lehr

Potentially deadly food allergies affect one in 13 children in the United States, or roughly two in every classroom. Food Allergy Research & Education (FARE) is a nonprofit organization that works on behalf of the 15 million Americans with food allergies, including those at the risk of life-threatening anaphylaxis (an extreme and often life-threatening allergic reaction to an antigen). Tokyo Journal International Editor Anthony Al-Jamie met with FARE CEO John Lehr.

Mandela Reveals the World’s Most Powerful Weapon

By Dr. David Nunan

SOME of the best teachers are not professional educators. On the surface, this statement might seem a paradox. Educators are defined by their work as teachers. I’m not trying to suggest that the many people who make their livings as educators aren’t great teachers. It is that some of the most instructive lessons I have learned about living and learning haven’t come from people with formal teaching qualifications nor from people who have worked as teachers, but from people who have nevertheless changed the world. One such person is Nelson Mandela: a great teacher, a great leader and one of the most powerful people of the modern era. Mandela valued education above all else. He once said, “Education is the most powerful weapon which you can use to change the world.” In an interview, when asked what is the single greatest problem facing the world right now, he replied at once, “Poverty and lack of education – these two problems combined. It is important for us to ensure that education reaches everyone.” (Interview in the Reader’s Digest, July 29, 2013.)

By Denise Murray

I CAN hardly open a magazine or newspaper without reading about some new course being offered online. The latest surge has been in MOOCs (massive open online courses). Several for-profit and non-profit companies have emerged to offer these courses across a range of subjects. They collaborate with universities around the world to offer their courses online. Anyone can sign up for the course, but they won’t receive academic credit, only a certificate of participation.

Why do institutions offer online courses? And why do students enroll?
The answers to both questions are complex. Online courses actually have their origins in distance learning (DL), developed to provide education to students who could not travel to a brick-and-mortar institution. DL was first offered as paper-and-pen lessons via mail. It then developed to use taped materials. Next came video. All of these modes of delivery still exist, depending on the resources of a particular country or region.

Institutions offer online programs and students take them because of time and distance constraints. For example, my home state in Australia is huge. When I was college-age, there was only one university in the capital city. I began teaching at a school 1,300 miles (2,092 km) from the capital. But I wanted to continue my bachelor’s degree.

Synopsis of Art by Artists of Haitian Descent in the Diaspora –– Part I

By Marcel Duret and Fred Thomas

ON May 15, 2013, Jean-Michel Basquiat’s “Dustheads” sold for a record price of US$48.8 million at a Christie’s auction in New York. This made “Dustheads” one of the most expensive pieces of art on earth today. Basquiat’s impact can be seen globally. An example is an exhibition of his work from May 21 to August 10, 2013 at the Gagosian Gallery in Hong Kong. The exhibition attests to Basquiat’s acute global relevance 25 years after his untimely death. Basquiat is without a doubt the king of all artists of Haitian descent. But while he has gained international stardom, many other artists of Haitian descent living in the United States and Canada haven’t enjoyed the publicity that surrounded Basquiat’s life and death. Nevertheless, they are a group of extremely talented artists who have contributed to the vivacity of the art scene in North America.