Founded in 1909, the Japan America Society of Southern California ( JASSC) builds economic, cultural, governmental and personal relationships between the people of Japan and the U.S. Tokyo Journal Executive Editor Anthony Al-Jamie sat down with JASSC President Douglas Erber to discuss his experience in Japan and in running this non-profit membership organization, which connects individuals and organizations in Southern California with an interest in Japan and U.S.–Japan relations.
From October 14 to December 18, 2016, the political thriller musical BLOOD hit the stage of The Complex in Hollywood. The stage play was inspired by actual events that occurred in Japan in the 1980s and 1990s surrounding a tainted blood scandal in which 2,000 people died from AIDS after contaminated blood was knowingly sold by a company in the U.S. to Japan. The production received rave reviews during its spring 2016 premiere and the fall 2016 production did not disappoint.
IN a recent New York Times article, the noted American economist Tyler Cowen challenged one of the truisms of economic theory: the assumption that it is just a matter of time before technological innovation replaces all the jobs that it destroys. Economists have taken this assumption for granted ever since Britain proved the Luddite challenge unfounded in the late 18th century. The Luddites wanted to destroy the new machines that they felt were destroying their jobs. But as time passed, technology came to be seen as a mighty creator as well as destroyer of jobs.
The following is part of Tokyo Journal’s Living Tribute to Donald Richie who passed away on February 19, 2013. Donald Richie’s contribution was originally printed in the January 1995 edition of the Tokyo Journal. It was excerpted from Japan Journals 1947-2004 by Donald Richie (Stone Bridge Press. 2004). Donald Richie’s first visit to Japan took place in 1947. Since that time he became a celebrated film critic, author and composer, not to mention a journalist of many talents recording the changes of over half a century of life in Tokyo. Donald Richie contributed to the Tokyo Journal over the years and when asked about times in the ‘90s, Donald replied, “Frightening but exhilarating. I think everybody with a pencil should be out there taking notes.”
IN 1975, I attended a small showcase where the Ramones played for the press. They performed about a dozen songs for no more than 16 minutes, and I wasn't sure what had happened, but I wanted to see them again.
ONE of the biggest concerns with higher education today is whether graduates can find employment when they enter the “real world.”
FOR those of you who don’t know Kōhaku, I’d like to introduce you to one of the coolest institutions of music not only in Japan but in the world. The closest comparison might be the Eurovision Song Contest, but that would be doing Kōhaku a disservice. Kōhaku is an annual New Year’s music “competition” between male and female artists. There’s no prize and the competition part is really just in good fun to give the viewers a rooting interest. The 66th annual Kōhaku was broadcast live from NHK Hall in Tokyo. What’s so cool about it? Well, it’s one act after another in rapid succession with little talk in between and no long-winded thank you speeches. Each artist’s set is unique and even more extravagant than the previous one, which seems inconceivable for over 50 acts on a live TV broadcast. Only with Japan’s superhuman work ethic, unwavering discipline and accurate-to-the-second planning could such a mammoth of a show be pulled off year after year.
A Japanese metal band with nine full-length albums under its belt, DIR EN GREY has nearly 20 years of experience in the music industry. Drawing on inspiration from different genres, from the strong presence of visual kei at the inception of their career to current influences like alternative metal, DIR EN GREY continues to evolve and push boundaries. The five-member band showcases a masterful combination of music and lyrics. Formed in 1997, they caught the attention of one of their idols early on — X Japan’s Yoshiki, who produced five of their singles in 1999. The Los Angeles Times wrote that the lead singer, Kyo, “is a staggering vocalist” and “has stockpiled an extreme range of vocal in ections, from a guttural mutter to a tonsil-ripping scream — no electronic effects needed.” DIR EN GREY is set for an exciting summer. Their recent releases include a July 27th new single, “UTAFUMI,” in collaboration with renowned X Japan / LUNA SEA guitarist SUGIZO, as well as a June 29th Blu-ray/DVD of the band’s live performance of ARCHE on the legendary Nippon Budokan stage from February 2016. Tokyo Journal Executive Editor Anthony Al-Jamie talked to Kyo (voice), Kaoru (leader/ guitarist), Die (guitarist), Toshiya (bassist) and Shinya (drummer) about the band’s journey and their plans for the future.
With millennials suddenly embracing the nostalgia of their childhood, many former pop-culture figures are profiting from this newfound popularity for all things ‘90s. All-4-One is no exception. Their 1995 number-one hit “I Swear” was named one of the greatest love songs of the 20th century by the American Society of Composers, Authors and Publishers. With sales exceeding 22 million records worldwide, constantly touring and releasing new music, the GRAMMY Award-winning band released their 20th anniversary album, Twenty+, at the perfect time. Tokyo Journal sat down with Jamie Jones, Delious Kennedy, Alfred Nevarez and Tony Borowiak as they revisited their roots and discussed touring Japan.
In a world where “cosplay” has yet to become a household word, one may be surprised to find that a career can be made from the art of dressing up as a character from a movie, book or video game, especially from the Japanese genres of manga and anime. The only cosplayer represented by Japanese talent agency HoriPro, Nekomu Otogi, has taken cosplay to the professional level. Otogi does photo shoots for manga magazines and was once voted the most beautiful girl in Akihabara, the anime, manga, video game and discount electronics center of Tokyo. Tokyo Journal Executive Editor Anthony Al-Jamie talked with Otogi about her cosplay experiences and her dream of becoming a manga artist.